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Facial Expression and Vocal Pitch Height: Evidence of an Intermodal Association
pitch height facial expression aggression intermodal perception
2010/9/26
Forty-four participants were asked to sing moderate, high, and low
pitches while their faces were photographed. In a two-alternative forced choice task,
independent judges selected the high-pitch fa...
An empirical approach to studying intonation tendencies in polyphonic vocal performances
Intonation singing sensory consonance melodic attraction signal processing machine learning
2008/10/30
Background in music theory and analysis. Polyphonic vocal intonation practices have been
addressed in a number of studies on vocal acoustics. Our research both builds on this work and
supplements it...
Historically Informed Retuning of Polyphonic Vocal Performance
Tuning just intonation Benedetti Zarlino, Lassus vocal performance Melodyne
2008/10/30
Background in history of music theory. The use of just intonation has generated heated
debates ever since the first accounts of the articulation of pitch space in the scientific treatises
of Ancient...
Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong
Vocal Gesture Musical Expression
2010/3/25
As Billie Holiday described her unique brand of vocal expression, she claimed that she wanted the "style" of Louis Armstrong and the "feeling" of Bessie Smith. These aesthetic and expressive goals can...